Theatre
Alan Ayckbourn
A Chorus of Disapproval
1984
Stephen Joseph Theatre, Scarborough
A diffident widower, Guy Jones, joins an amateur operatic society to escape loneliness, only to find himself embroiled in a web of local scandals, infidelities, and corrupt business deals. As he rises from a one-line role to the lead in 'The Beggar’s Opera', his passive nature makes him a pawn for the more predatory members of the group. The play brilliantly uses the rehearsal process as a metaphor for the masks people wear in social life. It is a heart-breakingly funny exploration of small-town hypocrisy and the vulnerability of a good man in a dishonest world.
Major success; won the Olivier and Evening Standard Awards for Best Comedy.
Oscar Wilde
A Florentine Tragedy
1906
King's Hall, London
A one-act blank verse drama discovered after Wilde's death. It depicts a merchant named Simone who returns home to find his wife Bianca in the company of a local prince. What begins as a tense social encounter turns into a deadly duel of wits and weapons. The play explores the primal nature of passion and the way violence can unexpectedly reignite desire within a stagnant marriage showcasing Wilde's darker more visceral poetic style.
Posthumous premiere produced by the Literary Theatre Society; praised for its intense and poetic atmosphere.
William Shakespeare
A Midsummer Night's Dream
1595
The Court or early Globe Theatre.
Four runaway lovers, a troupe of amateur actors, and the fairy king and queen become entangled in a night of magical mischief and romantic confusion in an Athenian forest.
Likely 1595-1596, traditionally associated with a court wedding.
Lorraine Hansberry
A Raisin in the Sun
1959, Broadway (Ethel Barrymore)
The Youngers, a Black family living in a cramped Chicago apartment, await a $10,000 life insurance check. Conflict arises as family members have different dreams for the money—buying a home, opening a liquor store, or paying for medical school—highlighting the racial and economic struggles of the era.
Alan Ayckbourn
A Small Family Business
1987
Olivier Theatre (National Theatre), London
When the incorruptible Jack McCracken takes over his father-in-law's furniture business, he intends to instill a new era of honesty. However, he quickly discovers that every member of his extended family is involved in systemic theft, bribery, and fraud. As Jack attempts to do the right thing, he is forced into increasingly immoral compromises to protect his kin, eventually leading to a shocking act of complicity. The play is a scathing satire on Thatcherite values and the corrosive effect of greed on the family unit, moving from farce to a chillingly dark conclusion.
Major success at the National Theatre; won the Evening Standard Award for Best Play.
Tennessee Williams
A Streetcar Named Desire
1947, Broadway (Ethel Barrymore)
Blanche DuBois, a fading Southern belle with a dark past, moves into her sister Stella’s cramped New Orleans apartment. She immediately clashes with Stella’s brutish husband, Stanley Kowalski. The play explores the brutal collision between fragile romanticism and harsh, animalistic reality.
Oscar Wilde
A Woman of No Importance
1893
Haymarket Theatre, London
During a house party at a country estate, the charismatic Lord Illingworth offers a secretary position to young Gerald Arbuthnot. However, Gerald’s mother, Rachel, recognizes Illingworth as the man who seduced and abandoned her twenty years earlier. The play pits the cynical, witty world of the upper class against Rachel’s quiet, steadfast morality. It is a biting critique of the gender double standards of the era, where a man’s indiscretion is ignored while a woman’s fall is unforgivable. Wilde uses the contrast to highlight the hypocrisy of a society that values style over substance and reputation over character.
Great success; solidified Wilde's reputation for writing society plays that were both entertaining and socially subversive.
Alan Ayckbourn
Absurd Person Singular
1972
Library Theatre, Scarborough
Set on three successive Christmas Eves in three different kitchens, this dark comedy follows the changing fortunes of three couples. As the socially climbing Hopcrofts rise in status, their friends—the philandering architect Geoffrey and the depressed banker Ronald—experience professional and personal decline. The play is famous for its second act, where a character attempts suicide while the oblivious guests try to help with domestic repairs. It is a brilliant, increasingly bleak examination of class mobility, marital dysfunction, and the superficiality of social interaction, balancing physical comedy with profound human despair.
Critical and commercial triumph; considered one of Ayckbourn’s most technically perfect and influential works.
Arthur Miller
All My Sons
1947
Coronet Theatre, New York
During World War II a businessman knowingly shipped faulty airplane parts causing several pilot deaths. Years later his secrets unravel as his son prepares to marry the former fiancée of his brother who went missing in action leading to a devastating family confrontation.
A landmark of American realism that established Miller as a major theatrical voice.
William Shakespeare
All's Well That Ends Well
1603
Globe Theatre, London
Helena a low-born ward of a French countess falls in love with the countess's son Bertram. After she miraculously cures the King of France he grants her any husband she chooses and she picks Bertram who flees in disgust. The play follows Helena's clever and controversial bed trick to win his affection and legitimate her marriage.
A problem play that has historically divided audiences with its cynical view of romance and complex heroine.
Alan Bennett
Allelujah!
2018
Bridge Theatre, London
Set in The Beth, an old-fashioned community hospital in Yorkshire threatened with closure due to NHS efficiency drives, the play follows the staff and elderly patients as they fight to save their institution. The drama blends sharp political commentary on the state of the healthcare system with touching, often humorous portraits of aging. As the hospital prepares for a documentary crew’s visit, a darker plot involving a series of mysterious deaths begins to unfold. It is a deeply felt, often angry, yet ultimately compassionate play about how we treat our elderly and the value of community care.
Critically acclaimed for its mix of warmth and biting social critique; its premiere was a major event at the new Bridge Theatre.
David Hare
Amy's View
1997
Lyttelton Theatre (National Theatre), London
A sprawling, multi-generational play that explores the turbulent relationship between a legendary West End actress, Esme Allen, and her daughter, Amy. Spanning sixteen years, the story begins in 1979 as Amy introduces her mother to her new boyfriend, a cynical film critic who believes theater is a dying medium. The play serves as a defense of the live stage while simultaneously investigating the personal sacrifices required by art. It is a heartbreaking study of fame, financial ruin, and the enduring but difficult bond between mother and child, culminating in a powerful meditation on the redemptive power of performance.
Huge success; became a celebrated vehicle for Judi Dench, winning her a Tony Award on Broadway.
Oscar Wilde
An Ideal Husband
1895
Haymarket Theatre, London
Set against the backdrop of political corruption and high-society intrigue, the play follows Sir Robert Chiltern, a prestigious government official whose career is threatened by blackmail. The villainous Mrs. Cheveley possesses evidence of a youthful financial sin, forcing Robert to choose between his career and his wife’s idealized view of him. Supported by his dandy friend Lord Goring, the play questions whether an ideal person can exist in a world of compromise. It is a sharp-witted exploration of public versus private morality, blending suspenseful drama with Wilde’s trademark paradoxical humor and social commentary.
A critical and popular triumph; praised for its topicality regarding political ethics and its sophisticated comedic dialogue.
J.B. Priestley
An Inspector Calls
1992, West End (Lyttelton)
The wealthy Birling family’s celebratory dinner is interrupted by Inspector Goole, who reveals that a young working-class woman has committed suicide. As the Inspector interrogates each family member, it becomes clear that they all played a part in her downfall, serving as a powerful critique of social hypocrisy and collective responsibility.
Tony Kushner
Angels in America
1993, Broadway (Walter Kerr)
Set in 1980s New York during the AIDS crisis, the play interweaves the lives of a gay man abandoned by his lover, a Mormon couple struggling with identity, and the infamous lawyer Roy Cohn. It blends realism with fantasy to explore politics, faith, and the future of America.
William Shakespeare
Antony and Cleopatra
1606
Globe Theatre, London
A sweeping historical tragedy depicting the doomed romance between the Roman triumvir Mark Antony and the Egyptian Queen Cleopatra. As their passion interferes with their political duties Octavius Caesar wages war against them leading to a tragic double suicide. The play is celebrated for its lush language and the towering complex character of Cleopatra.
A massive epic production that required significant resources to depict the battles and grandeur of Egypt and Rome.
Tom Stoppard
Arcadia
1993
Lyttelton Theatre (National Theatre), London
Widely considered Stoppard’s masterpiece, Arcadia toggles between 1809 and the present day at Sidley Park, an English country estate. In the past, a precocious student and her tutor explore mathematics and poetry; in the present, researchers attempt to reconstruct those events. The play elegantly weaves together chaos theory, landscape gardening, thermodynamics, and Romanticism. As the timelines eventually converge, the play reflects on the elusiveness of historical truth and the heat death of the universe. It is a profound, heartbreaking, and intellectually dazzling work that balances rigorous scientific inquiry with a deeply moving human story about the passage of time.
Critical and commercial triumph; won the Olivier and Evening Standard Awards for Best Play.
William Shakespeare
As You Like It
1603
Globe Theatre, London
Rosalind flees her uncle’s court disguised as a boy and escapes to the Forest of Arden where she encounters the exiled Duke and her lover Orlando. In the forest social hierarchies dissolve as characters explore the nature of love poetry and the seven ages of man. The play is a pastoral comedy that celebrates the freedom of the natural world over the corruption of the court. It features Rosalind one of Shakespeare’s most intelligent and dominant female protagonists.
A popular romantic comedy; noted for its philosophical depth and its famous All the world's a stage speech.
Osage County
August
When the patriarch of the Weston family disappears, three generations of dysfunctional women reunite at their Oklahoma homestead. Led by their pill-popping, razor-tongued mother Violet, the family engages in a brutal series of confrontations that reveal decades of repressed secrets, betrayals, and deep-seated emotional trauma.
Tracy Letts
Alan Ayckbourn
Bedroom Farce
1975
Library Theatre, Scarborough
This highly innovative comedy takes place simultaneously in three different bedrooms over the course of one long night. The plot is driven by Trevor and Susannah, a highly neurotic couple whose collapsing marriage disrupts the sleep and sanity of three other pairs. As the dysfunctional duo migrates from one bedroom to another, they force their friends and parents to confront their own marital shortcomings. The play is celebrated for its clever use of space and its sharp, funny observations on the co-dependence and mundanity of long-term relationships, proving that the most dramatic battles often happen at home.
Instant West End success; nominated for multiple Tony and Olivier awards and remains a staple of international theater.
Noël Coward
Blithe Spirit
1941
Piccadilly Theatre, London
In this improbable farce, novelist Charles Condomine invites a medium, Madame Arcati, to his home to conduct a séance for research. The plan backfires spectacularly when she accidentally summons the ghost of his temperamental first wife, Elvira. Visible only to Charles, Elvira proceeds to sabotage his current marriage to the increasingly frustrated Ruth. The play is a brilliant, macabre comedy about the persistence of past relationships and the literal haunting of a marriage. It was written in just five days during the Blitz and provided much-needed escapism for war-torn London audiences, becoming a record-breaking West End hit.
Massive success; its long run during World War II provided essential morale-boosting laughter for Londoners.
Kander, Ebb, & Masteroff
Cabaret
1966, Broadway (Broadhurst)
Set in 1931 Berlin as the Nazis rise to power, the story centers on the seedy Kit Kat Klub and its enigmatic Emcee. American writer Clifford Bradshaw falls for performer Sally Bowles, but their romance is overshadowed by the growing political darkness that threatens to destroy the bohemian world they inhabit.
Tennessee Williams
Cat on a Hot Tin Roof
1955, Broadway (Morosco)
The wealthy Pollitt family gathers at their Mississippi estate to celebrate Big Daddy's birthday while he is dying of cancer. His son Brick, an alcoholic, ignores his wife Maggie’s sexual frustrations. The play uncovers a web of lies regarding inheritance, sexuality, and family secrets.
Noël Coward
Cavalcade
1931
Drury Lane, London
A massive and patriotic epic that follows the lives of two London families—one upper class and one working class—from New Year's Eve 1899 to 1930. The play depicts major historical events including the Boer War the sinking of the Titanic and the First World War. It is a sweeping study of national identity and the passage of time requiring a cast of hundreds and spectacular stage effects. It serves as Coward's tribute to the resilience of the British spirit during three decades of upheaval.
A monumental success; the scale of the production was unprecedented and it was seen as a major patriotic event.
Kander, Ebb, & Fosse
Chicago
1996, Broadway (Ambassador)
In jazz-age Chicago, Roxie Hart murders her lover and convinces her husband to pay for a slick lawyer, Billy Flynn. In jail, she competes with fellow murderess Velma Kelly for the media’s spotlight. The musical is a cynical satire on corruption in the criminal justice system and the celebrity criminal.
Alan Ayckbourn
Confusions
1974
Library Theatre, Scarborough
A series of five interconnected one-act plays (Mother Figure, Drinking Companion, Between Mouthfuls, Gosforth’s Fete, and A Talk in the Park) that explore the themes of human isolation and the failure of communication. From a mother who treats all adults like children to a disastrous village fete broadcast over a public address system, the plays range from slapstick farce to poignant social observation. While each piece works individually, together they form a comprehensive and often hilarious survey of the confusions that define human relationships. It is one of the most frequently performed works in amateur and professional theater.
A major success; praised for its versatility and its keen, often painful, observation of social embarrassment.
William Shakespeare
Coriolanus
1608
Blackfriars Theatre, London
A legendary Roman general wins great victories but is banished from Rome after his arrogance and contempt for the common people turn the citizens against him. He joins his former enemies to seek revenge on his home city. The play is a stark political tragedy examining the conflict between individual pride and civic duty.
Praised as a rigorous and unsentimental look at the intersection of war and politics.
William Shakespeare
Cymbeline
1610
Blackfriars Theatre, London
A British King banishes his daughter's husband leading to a sprawling tale involving a wager on her chastity, Roman invasion, and the discovery of long-lost princes. It is one of Shakespeare's late romances, blending elements of tragedy, history, and folklore into a story of ultimate reconciliation.
A complex play that utilizes the intimate indoor staging of Blackfriars for its more magical elements.
Pasek, Paul, & Levenson
Dear Evan Hansen
2016, Broadway (Music Box)
Evan Hansen, a high schooler with social anxiety, writes a letter to himself that is found by a classmate, Connor, who later dies by suicide. Connor's parents mistake the letter for their son’s final message to a secret best friend, thrusting Evan into a lie that brings him viral fame and belonging.
Arthur Miller
Death of a Salesman
1949, Broadway (Morosco)
Willy Loman, an aging traveling salesman, struggles with the realization that his life and the American Dream he chased are failures. Through fractured memories, he examines his strained relationship with his sons, Biff and Happy, leading to a tragic conclusion about identity and worth.
A monumental success that won the Pulitzer Prize and the Tony Award for Best Play, cementing Miller's legacy.
Noël Coward
Design for Living
1933
Ethel Barrymore Theatre, New York
A daring and sophisticated comedy exploring a ménage à trois between an interior designer a painter and a playwright. The three protagonists Gilda Otto and Leo find that they cannot live with or without each other leading to a series of departures and reunions across Paris London and New York. The play was highly controversial for its time for its open depiction of unconventional relationships and its rejection of traditional morality celebrating the characters' bond over social norms.
A massive hit in New York after being rejected by the Lord Chamberlain in London for its 'immoral' themes.
Alan Bennett
Enjoy
1980
Richmond Theatre / Vaudeville Theatre, London
A dark, absurdist comedy set in a back-to-back house in Leeds that is about to be demolished. The elderly couple living there, Connie and Mam, are being observed by a sociologist who is actually their long-lost son in disguise. The house and its inhabitants are eventually preserved as a living museum exhibit, reflecting Bennett’s themes of the commodification of the past and the voyeurism of modern culture. It is a bleakly funny and surreal look at family, class, and the way we curate our own histories, often at the expense of authentic experience.
Initially met with mixed reviews for its dark tone, it has since been reassessed as one of Bennett's most prescient and challenging works.
Peter Shaffer
Equus
1973, West End (Old Vic)
Child psychiatrist Martin Dysart treats Alan Strang, a teenager who has inexplicably blinded six horses with a metal spike. As Dysart delves into Alan's pathological obsession and religious fervor regarding horses, he begins to question his own sense of purpose and the normality he is trying to impose on his patient.
Tom Stoppard
Every Good Boy Deserves Favour
1977
Royal Festival Hall, London
Unique in its scale, this play for actors and orchestra was written in collaboration with composer André Previn. It is set in a Soviet mental hospital where a political dissident and a genuine lunatic share a cell. The twist is that the lunatic imagines he has a full orchestra at his beck and call, which the audience actually hears on stage. It is a powerful, darkly comic indictment of the Soviet practice of using psychiatry to silence political dissent, using the metaphor of musical harmony to discuss state-mandated conformity and individual freedom.
Rapturously received at its premiere; noted for its unique requirement of a live symphony orchestra on stage.
Noël Coward
Fallen Angels
1925
Globe Theatre, London
A sharp comedy focusing on two best friends Julia and Jane who are both awaiting the arrival of a Frenchman with whom they both had a pre-marital affair. As their husbands are away on a golfing trip the women become increasingly intoxicated and competitive as they anticipate the lover's visit. The play was scandalous at the time for its honest and comedic portrayal of female sexual desire and its irreverent treatment of the institution of marriage.
A commercial success despite being denounced by some critics for its supposed 'vulgarity' and 'immorality.'
Oscar Wilde
For Love of the King
1922
N/A (Masque)
A Burmese Masque that was purportedly written by Wilde for a friend. It tells the story of a young girl who falls in love with the King of Burma and the obstacles they face in a stylized exotic setting. The play is more of a visual and poetic exercise than a standard drama focusing on spectacle costumes and rhythmic dialogue. While its authenticity has been debated it remains a curious example of Wilde's interest in the aesthetic movement.
Published posthumously; its theatrical history is limited due to its status as a masque.
Alan Bennett
Forty Years On
1968
Apollo Theatre, London
Set in a crumbling boys' public school, the play uses the occasion of the headmaster's retirement to stage a school play that parodies British history and literature from the late Victorian era to the 1940s. The play-within-a-play structure allows for a satirical but affectionate look at the values of a vanishing England. It is a witty, nostalgic, and often sharp-edged revue that balances high-brow literary pastiche with schoolboy humor, exploring the themes of national identity and the end of an era.
Bennett’s debut play; a critical sensation that established his reputation for wit and nostalgic satire.
Frank Loesser
Guys and Dolls
1950, Broadway (46th Street)
Gambler Nathan Detroit needs $1,000 to host his oldest established permanent floating craps game. He bets high-roller Sky Masterson that Sky cannot take a virtuous Mission doll, Sarah Brown, to Havana. Meanwhile, Nathan’s long-suffering fiancée, Miss Adelaide, desperately wants to finally get him to the altar after 14 years.
Alan Bennett
Habeas Corpus
1973
Oxford Playhouse / Queen's Theatre, London
A fast-paced, surreal farce that centers on the Wicksteed family and their various sexual obsessions and physical insecurities. Set in a middle-class household, the play features a cast of characters—including a randy doctor, his frustrated wife, and a flat-chested daughter—all chasing after physical satisfaction or transformation. It is a frantic, comedic exploration of the human body and the habeas corpus (the right to have the body) in both a legal and a carnal sense. The play is noted for its rhythmic, almost choreographed comedy and its sharp-witted dialogue.
A popular success; noted for its departure from Bennett’s more realistic work into the realm of stylized, physical farce.
Lin-Manuel Miranda
Hamilton
2015, Broadway (Richard Rodgers)
This hip-hop musical tells the life story of American Founding Father Alexander Hamilton. From his arrival in New York as an immigrant to his rise as Treasury Secretary and his fatal duel with Aaron Burr, it reframes American history through a contemporary lens of ambition and legacy.
William Shakespeare
Hamlet
1601, London (Globe)
Prince Hamlet returns home to Denmark to find his father murdered and his uncle on the throne. Visited by his father's ghost, Hamlet descends into a spiral of indecision, feigned madness, and philosophical contemplation as he plots a revenge that ultimately destroys the entire royal court.
William Shakespeare
Hamlet
1601
The Globe Theatre, London
The Prince of Denmark returns home to find his father murdered and his uncle on the throne. Haunted by his father's ghost he spirally into a state of indecision and existential dread while plotting revenge. The play is a profound exploration of madness mortality and the complexity of the human psyche featuring some of the most famous soliloquies in literature. It remains the definitive tragedy of Western drama.
Highly successful in its era; established the archetype of the tragic melancholic hero for centuries to come.
Jack Thorne (story by J.K. Rowling)
Harry Potter and the Cursed Child
2016, West End (Palace)
Nineteen years after the Battle of Hogwarts, Harry Potter is an overworked Ministry employee. His son, Albus Severus, struggles with the weight of the family legacy. When Albus and his friend Scorpius Malfoy use a Time-Turner to change the past, they accidentally create dark alternate realities that threaten the future.
Noël Coward
Hay Fever
1925
Ambassadors Theatre, London
Set in a country house, the play focuses on the Bliss family—a retired actress mother, a novelist father, and two bohemian children—who have each invited a guest for the weekend without telling the others. The guests are subjected to the family’s melodramatic, self-absorbed behavior and intense parlour games, eventually fleeing in secret while the Blisses are embroiled in a characteristic family row. It is a brilliant comedy of bad manners that satirizes the theatricality of everyday life. The play is celebrated for its plotless but perfectly paced structure and its hilarious portrayal of artistic eccentricity.
A critical and commercial triumph that established Coward as a master of the comedy of manners for the modern age.
