Theatre
Tom Stoppard
Rosencrantz and Guildenstern Are Dead
1967
The Old Vic (National Theatre), London
This absurdist, existential tragicomedy reimagines Shakespeare’s Hamlet through the eyes of two minor courtiers. As the duo wanders the halls of Elsinore, they grapple with fate, free will, and their own impending mortality, often through witty wordplay and coin-tossing games. Their confusion mirrors the audience’s own existential dread, as they remain pawns in a narrative they cannot control. Stoppard’s breakout work remains a landmark of 20th-century drama, blending high-brow philosophy with vaudevillian humor. It is celebrated for its linguistic agility and its profound exploration of the human condition, solidifying Stoppard’s reputation as a master of intellectual theater.
Enormous success; overnight sensation that made Stoppard famous and won the Evening Standard Award.
Oscar Wilde
Salomé
1931
Savoy Theatre, London (Public Premiere)
A radical departure from his comedies, this decadent tragedy is a poetic retelling of the biblical story of Salomé and John the Baptist (Iokanaan). Infatuated with the prophet who has rejected her, Salomé performs the Dance of the Seven Veils for her stepfather, King Herod, demanding the prophet’s head as her reward. The play explores themes of obsession, lust, and the destructive nature of desire. Originally written in French, its lush, symbolic language and disturbing imagery made it highly controversial. It remains one of Wilde's most powerful works, famously prohibited from performance in England for decades due to its biblical subject matter.
Banned by the Lord Chamberlain in 1892; first public UK performance was not until 1931.
Alan Bennett
Single Spies
1988
Lyttelton Theatre (National Theatre), London
A double bill consisting of two short plays, 'An Englishman Abroad' and 'A Question of Attribution'. The first follows the real-life meeting between actress Coral Browne and the defector Guy Burgess in Moscow; the second centers on Sir Anthony Blunt, the Queen’s art advisor and a Soviet spy. Both plays explore themes of loyalty, class, and the English habit of secrecy and betrayal. They are witty, understated, and deeply insightful studies of individuals caught between their national identity and their personal ideologies, featuring Bennett’s signature blend of humor and pathos.
Winner of the Olivier Award for Best Comedy; celebrated for its sophisticated writing and historical intrigue.
Toby Marlow and Lucy Moss
Six
2017
Edinburgh Fringe Festival
The six wives of Henry VIII take to the stage in a high energy pop concert to reclaim their stories from history. Each queen competes to prove she suffered the most at the hands of the King while ultimately celebrating their collective female power.
A global viral sensation that grew from the Edinburgh Fringe to a worldwide West End and Broadway hit.
David Hare
Skylight
1995
Cottesloe Theatre (National Theatre), London
A deeply personal three-character drama that centers on a single evening's reunion between two former lovers. Kyra, a dedicated teacher working in a deprived London neighborhood, is visited by Tom, a wealthy and charismatic restaurateur whose wife has recently died. As they attempt to rekindle their romance, the vast ideological and economic gulf between them becomes an insurmountable barrier. The play is a masterful examination of the personal cost of political convictions, set entirely within Kyra's sparsely furnished flat, where the simple act of cooking spaghetti becomes a backdrop for intense intellectual and emotional warfare.
Massive success; won the Olivier Award for Best Play and became a global hit on Broadway.
Kate Trefry
Stranger Things: The First Shadow:
2023
Phoenix Theatre, London
Set in 1959 Hawkins this prequel explores the arrival of young Henry Creel. As his family attempts a fresh start they discover that the shadows of the past and supernatural forces are deeply entwined with the town and the boy's disturbing psychic abilities.
A spectacular technical achievement that received rave reviews for its stagecraft and storytelling.
David Hare
Stuff Happens
2004
Olivier Theatre (National Theatre), London
A compelling history play that reconstructs the diplomatic and political maneuvering that led to the 2003 invasion of Iraq. Using a mix of verbatim records and imagined private conversations, the play features major historical figures including George W. Bush, Tony Blair, Colin Powell, and Donald Rumsfeld. The title refers to Rumsfeld’s dismissive comment about the looting of Baghdad, and the drama meticulously charts the hubris, miscalculations, and ideological fervor of the era. It is a sober, epic, and highly theatrical dissection of how democratic nations go to war and the consequences of political certainty over evidence.
Critical triumph; praised for its even-handed but devastating portrayal of the architects of the Iraq War.
Stephen Sondheim & Hugh Wheeler
Sweeney Todd
1979, Broadway (Uris)
Exiled barber Sweeney Todd returns to London seeking revenge on the corrupt judge who ruined his life. He teams up with the struggling pie-shop owner Mrs. Lovett, who suggests a gruesome way to dispose of his victims by baking them into meat pies, leading to a dark, operatic tale of vengeance.
Alan Bennett
Talking Heads
1992
Comedy Theatre (West End transfer), London
Originally written for television but frequently performed as a theatrical cycle, these monologues offer intimate, often heartbreaking glimpses into the lives of seemingly ordinary people. From a lonely letter-writer to a vicar’s alcoholic wife, the characters reveal their deepest secrets and delusions directly to the audience. Bennett’s talking heads are masterclasses in subtext, where what is left unsaid is as important as what is spoken. The collection is celebrated for its perfect pitch, its dark humor, and its profound empathy for the quiet tragedies of English domestic life.
A modern classic; the TV series became a cultural phenomenon, leading to multiple successful stage transfers and revivals.
David Hare
Teeth 'n' Smiles
1975
Royal Court Theatre, London
A rowdy, musical play set in 1969 at a Cambridge University May Ball. It follows a failing rock band, led by the ferocious and self-destructive Maggie Frisby, as they perform for a group of privileged students. The play captures the dying embers of the 1960s counterculture, contrasting the band’s raw, nihilistic energy with the stagnant, comfortable world of the British elite. It is a play about class, art, and the inevitable burnout of rebellion, featuring original songs and a sense of terminal, drug-fueled chaos that eventually consumes the band.
A cult classic that shook the plaster off the ceiling of the Royal Court; recently revived for its 50th anniversary.
David Hare
The Blue Room
1998
Donmar Warehouse, London
An erotic and stylish adaptation of Arthur Schnitzler's 'La Ronde', this play consists of ten interconnected scenes of sexual encounters that cross the social strata of a modern city. Each scene features one character from the previous encounter, creating a circular chain of lust, betrayal, and unfulfillment. Hare moves the setting to contemporary London, using the sexual merry-go-round to explore the loneliness and artifice of modern urban life. The play is famous for its physical demands on the actors, who each play five different roles, shifting identities and costumes with lightning speed.
A sensational West End hit, famously described by critics as pure theatrical Viagra due to Nicole Kidman's performance.
Parker, Stone, & Lopez
The Book of Mormon
2011, Broadway (Eugene O'Neill)
Two mismatched Mormon missionaries are sent to a remote village in Uganda to spread their faith. They struggle to connect with the locals, who are preoccupied with war, famine, and poverty. The musical is a raunchy but ultimately sweet satire on organized religion and the power of storytelling.
William Shakespeare
The Comedy of Errors
1594
Gray's Inn, London
Two sets of identical twins separated at birth arrive in the same city of Ephesus leading to a series of wild mishaps and mistaken identities involving money, romance, and even demonic possession. It is Shakespeare's shortest and most farcical play, drawing heavily on classical Roman comedy.
A high-energy slapstick success that relied heavily on precise physical comedy and timing.
Arthur Miller
The Crucible
1953, Broadway (Beck)
In 1692 Salem, a group of girls accuses fellow villagers of witchcraft to hide their own mischief. The hysteria spreads, leading to a series of trials where innocent people are executed. It serves as a powerful allegory for the McCarthy-era anti-communist witch hunts in 1950s America.
Initially received with respect but some caution; it has since become one of the most performed and studied plays in the English language.
Simon Stephens
The Curious Incident of the Dog in the Night-Time
2012, West End (Cottesloe)
Fifteen-year-old Christopher, who is neurodivergent, discovers his neighbor’s dead dog and decides to investigate. His detective work leads him on a frightening journey to London, uncovering painful family secrets that turn his world upside down. The play uses innovative staging to represent Christopher's unique sensory experience of the world.
Oscar Wilde
The Duchess of Padua
1891
Broadway Theatre, New York
A five-act melodramatic tragedy set in Renaissance Italy. It follows young Guido Ferranti as he seeks revenge against the Duke of Padua for his father's death. However Guido falls in love with the Duchess and finds himself torn between his vow of vengeance and his romantic devotion. The play is written in blank verse and explores themes of love loyalty and the corrupting nature of power in a dark and stylized historical setting.
A modest success in New York; Wilde wrote it for actress Mary Anderson who eventually rejected it.
Jez Butterworth
The Ferryman
2017, West End (Royal Court)
In 1981 Northern Ireland, the Carney family prepares for the annual harvest. However, the celebration is interrupted by the discovery of a body in a bog—a man disappeared by the IRA ten years earlier. The play explores the long shadows of political violence and personal loss.
Tennessee Williams
The Glass Menagerie
1945, Broadway (Playhouse)
Tom Wingfield looks back on his life in St. Louis with his overbearing mother, Amanda, and his fragile, shy sister, Laura. Amanda’s obsession with finding a gentleman caller for Laura leads to a disastrous evening that shatters the family's illusions, leaving them trapped in their own memories and disappointments.
Alan Bennett
The Habit of Art
2009
Lyttelton Theatre (National Theatre), London
The play centers on an imaginary meeting between the poet W.H. Auden and the composer Benjamin Britten in 1972. It is framed as a rehearsal of a play-within-a-play titled 'Caliban’s Day', where actors discuss the process of creating art and the difficulties of aging. The drama explores the complex relationship between these two giants of 20th-century culture, focusing on their creative collaboration and personal tensions. It is a witty, intellectual, and deeply moving meditation on the habit of creation and the compromises required by a life dedicated to art.
Highly praised for its clever structure and the brilliant performances of its leads, exploring the intersections of biography and performance.
Alan Bennett
The History Boys
2004
Lyttelton Theatre (National Theatre), London
Set in a 1980s Sheffield grammar school, the play follows an unruly but bright group of sixth-formers as they prepare for Oxbridge entrance exams. The students are caught between the contrasting teaching styles of the eccentric, holistic Hector and the cynical, results-driven young Irwin. As they navigate the pressures of academia, they also grapple with their burgeoning identities and the complexities of history. The play is a brilliant, witty, and moving exploration of the purpose of education and the elusive nature of historical truth, blending sharp intellectual debate with deeply human moments of vulnerability and humor.
A phenomenal success that swept the Olivier and Tony Awards, becoming one of the most beloved British plays of the 21st century.
Oscar Wilde
The Importance of Being Earnest
1895, West End (St James's)
Two Victorian gentlemen, Jack and Algernon, adopt the pseudonym Ernest to escape social obligations and woo two women. Their elaborate deceptions lead to a series of hilarious misunderstandings regarding parentage, social standing, and the vital importance of being earnest in a world of triviality.
Oscar Wilde
The Importance of Being Earnest
1895
St James's Theatre, London
A pinnacle of British comedy, this trivial comedy for serious people follows Jack Worthing and Algernon Moncrieff as they maintain double lives to escape social obligations. Their deceptions lead to a chaotic weekend in the country where they both attempt to marry women who insist on loving only men named Ernest. Wilde’s masterpiece skewers Victorian earnestness, class snobbery, and the marriage market through lightning-fast wit and iconic epigrams. The play remains a cornerstone of the English theatrical repertoire, celebrated for its perfect structure, rhythmic dialogue, and the formidable presence of the formidable Lady Bracknell.
A glittering, immediate success that marked the height of Wilde's career before his sudden social downfall.
Tom Stoppard
The Invention of Love
1997
Cottesloe Theatre (National Theatre), London
A poignant, intellectual drama focusing on the life and death of the poet and scholar A.E. Housman. The play begins with an elderly Housman being ferried across the Styx by Charon, where he looks back on his younger self at Oxford. It explores his unrequited love for a fellow student and his dedication to Latin scholarship. Themes of Victorian morality, the trial of Oscar Wilde, and the invention of romantic love in literature are woven together. It is a deeply moving meditation on the pain of a life lived through books rather than emotional fulfillment.
Widely praised for its emotional depth and scholarly wit; won the Evening Standard Award for Best Play.
David Hare
The Judas Kiss
1998
Playhouse Theatre, London
A poignant historical drama that focuses on two pivotal moments in the life of Oscar Wilde. The first act takes place in a London hotel shortly before his arrest, as he decides whether to flee to France or face his trial. The second act finds him in exile in Naples, impoverished and abandoned, yet still tethered to his destructive lover, Lord Alfred Douglas (Bosie). The play is a tragic exploration of Wilde’s refusal to compromise his soul and his fatal loyalty to a man who did not deserve it, set against the backdrop of Victorian betrayal.
Highly praised for its emotional weight and its depiction of Wilde as a figure of tragic nobility.; later revived to great acclaim.
Alan Bennett
The Lady in the Van
1999
Queen's Theatre, London
Based on Bennett’s own memoirs, this play tells the extraordinary true story of Miss Shepherd, a transient woman who temporarily parked her van in Bennett's London driveway and stayed for fifteen years. The play features two versions of Alan Bennett on stage—one who lives the life and one who writes it—creating a meta-narrative about the writer's burden and the nature of charity. It is a funny, touching, and occasionally acerbic look at an unlikely friendship and the eccentricities of North London life, exploring the boundaries of privacy and the weight of social conscience.
A massive West End hit, famously starring Maggie Smith, who later reprised the role in the successful film adaptation.
Elton John, Tim Rice, & Irene Mecchi
The Lion King
1997, Broadway (New Amsterdam)
Based on the Disney film, young lion prince Simba is exiled from the Pride Lands after the death of his father, Mufasa. Under the guidance of his friends Timon and Pumbaa, Simba eventually returns as an adult to challenge his villainous uncle Scar and reclaim his place as king.
Alan Bennett
The Madness of George III
1991
Lyttelton Theatre (National Theatre), London
This powerful historical drama depicts the mental decline of King George III and the resulting constitutional crisis. As the King’s behavior becomes increasingly erratic and mad, his court descends into a frenzy of political maneuvering, with the Prince of Wales seeking to seize power. The play focuses on the brutal medical treatments of the era and the King's struggle to maintain his dignity and his throne. It is a compassionate and meticulously researched study of power, family, and the fragile line between authority and infirmity, later adapted into an Oscar-winning film.
Critical and commercial triumph; praised for its historical accuracy and the central tour-de-force performance by Nigel Hawthorne.
William Shakespeare
The Merchant of Venice
1605
Globe Theatre, London
A Venetian merchant borrows money from a Jewish moneylender Shylock to help a friend woo a wealthy heiress. When the debt cannot be paid Shylock demands a pound of flesh as per their contract leading to a dramatic courtroom confrontation. The play is a problem comedy that deals with themes of justice mercy and anti-Semitism. It is famous for Portia’s quality of mercy speech and the complex controversial character of Shylock.
Popular in its day; has evolved into a deeply debated work regarding its portrayal of religious conflict.
William Shakespeare
The Merry Wives of Windsor
1597
Globe Theatre, London
In this domestic comedy, Sir John Falstaff attempts to seduce two wealthy married women in Windsor to gain access to their money. The women see through his scheme and play a series of humiliating tricks on him. Legend says Queen Elizabeth I requested this play because she wanted to see Falstaff in love.
A lighthearted and broad comedy that remains one of the few Shakespeare plays set entirely in middle-class England.
Agatha Christie
The Mousetrap
1952
Ambassadors Theatre, London
A group of seven strangers is snowed in at a remote countryside guesthouse when a police sergeant arrives to warn them of a murderer on the loose. To their horror they realize the killer is already among them and one by one their dark secrets are revealed as they attempt to survive the night. Famous for its twist ending the play is the longest running production in the world and has become a legendary staple of London theatre culture
A historic success that exceeded all expectations becoming a permanent fixture of the West End and a global tourist destination:
Alan Ayckbourn
The Norman Conquests
1973
Library Theatre, Scarborough
An ingenious trilogy (Table Manners, Living Together, Round and Round the Garden) that depicts the same weekend in different rooms of a country house. The story follows the amorous and disruptive Norman, an assistant librarian, as he attempts to seduce his three sisters-in-law. The plays can be watched in any order, with events in one play explaining the off-stage actions in another. It is a masterpiece of structure and character, exploring the frustrations of family life and the desperate search for affection in a drab, claustrophobic domestic setting.
A theatrical landmark; won the Evening Standard Award for Best Play and became a global success.
Joel Horwood / Neil Gaiman
The Ocean at the End of the Lane:
2019
Dorfman Theatre (National Theatre), London
A man returns to his childhood home and remembers a magical pond that a friend claimed was an ocean. He is thrust into a survival struggle against ancient dark forces where memory and reality blur in a beautiful yet terrifying journey.
Highly acclaimed for its imaginative puppetry and atmospheric staging.
Andrew Lloyd Webber
The Phantom of the Opera
1986, West End (Her Majesty's)
Beneath the Paris Opera House, a masked musical genius lives in shadows, obsessed with a young soprano, Christine Daaé. He mentors her while terrorizing the theater staff. When Christine falls for a childhood suitor, the Phantom’s jealousy sparks a dark and tragic series of events.
A massive critical and commercial triumph that won seven Tony Awards and became the longest-running show in Broadway history.
Henry Lewis, Jonathan Sayer, & Henry Shields
The Play That Goes Wrong
2014, West End (Duchess)
The Cornley Polytechnic Drama Society attempts to stage a 1920s murder mystery, but the production is plagued by disaster. From collapsing sets and missing props to unconscious actors and forgotten lines, the troupe desperately tries to finish the play as the chaos reaches hilarious, slapstick proportions.
Tom Stoppard
The Real Thing
1982
Strand Theatre (now Novello Theatre), London
This sophisticated drama explores the nature of love and fidelity through the life of Henry, a witty playwright. When Henry’s own life begins to mirror the scenes of adultery he writes for the stage, the boundaries between fiction and reality blur. The play moves beyond Stoppard’s typical intellectualism to offer a deeply emotional look at the pain of betrayal and the search for authentic connection. It is famed for its "play-within-a-play" structure and its clever use of a cricket bat as a metaphor for good writing, remains one of his most frequently revived and beloved works.
Instant success; won the Evening Standard Award for Best Play and later swept the Tony Awards.
David Hare
The Secret Rapture
1988
Lyttelton Theatre (National Theatre), London
A sharp-edged comedy of manners that evolves into a tragic examination of human goodness in a materialistic age. Following the death of their father, two sisters—the selfless, artistic Isobel and the ruthless, Thatcherite politician Marion—clash over their father’s legacy and the care of his alcoholic widow. The play explores how the purity of one individual can be seen as a provocation to others who have compromised their values for power and success. It is a bleak but brilliant study of the psychology of the 1980s, where greed was championed as a virtue and kindness was often exploited.
Widely acclaimed; noted for its piercing critique of the Thatcher era and its emotional intensity.
William Shakespeare
The Taming of the Shrew
1594
Globe Theatre, London
Petruchio, a fortune hunter, attempts to tame the sharp-tongued Katherine into marriage, while her sister Bianca is pursued by multiple suitors. It is a controversial comedy of gender roles and psychological warfare.
A high-energy, physical comedy that was extremely popular in the Elizabethan era despite its problematic modern themes.
William Shakespeare
The Taming of the Shrew
1594
Globe Theatre, London
Petruchio a fortune seeker attempts to tame the headstrong and sharp-tongued Katherine into becoming a submissive wife. Meanwhile Katherine's younger sister Bianca is pursued by multiple suitors in a more traditional subplot. The play is a controversial comedy of gender roles and social expectations. While its themes are heavily debated in modern times it remains a staple of the stage for its physical comedy and the complex power dynamic between its two central characters.
Very popular in its time; noted for its use of the play within a play induction.
William Shakespeare
The Tempest
1611
Whitehall Palace
The deposed Duke Prospero uses magic to shipwreck his enemies on a remote island where he has lived in exile with his daughter. Through illusions and spirits he orchestrates a confrontation that leads to forgiveness and the restoration of his dukedom. Often considered Shakespeare's farewell to the stage the play explores themes of colonialism reconciliation and the power of art. It is celebrated for its lyrical beauty and the iconic character of the spirit Ariel.
Performed at court for the wedding of Princess Elizabeth; noted for its elaborate masques and music.
William Shakespeare
The Two Gentlemen of Verona
1594
Globe Theatre, London
Two best friends Valentine and Proteus travel to Milan where Proteus betrays his friend and his own fiancée to pursue Valentine's love. It is one of Shakespeare's earliest comedies, exploring themes of male friendship, betrayal, and the absurdity of young love.
An early experiment in romantic comedy that introduced the disguised heroine trope that Shakespeare would later master.
William Shakespeare
The Two Noble Kinsmen
1613
Blackfriars Theatre, London
Two cousins and best friends, Palamon and Arcite, are imprisoned in Athens where they both fall in love with the same woman, Emilia, turning their lifelong bond into a deadly rivalry. It is a collaboration between Shakespeare and John Fletcher, based on Chaucer's The Knight's Tale.
A tragicomedy that combines medieval chivalry with Jacobean spectacle.
Rachel Joyce
The Unlikely Pilgrimage of Harold Fry
2023
Various Regional Theatres (UK Premiere)
Harold Fry is an ordinary man who leaves home to mail a letter and decides to keep walking across England to save a dying friend. His spontaneous journey becomes a profound transformation as he reflects on his past and the people he encounters along the way.
Celebrated as a moving and faithful adaptation of the beloved best-selling novel.
Noël Coward
The Vortex
1924
Everyman Theatre, Hampstead
This controversial and shocking drama explores the dark side of high society, focusing on the nymphomaniac Florence Lancaster and her drug-addicted son, Nicky. As Florence desperately chases her youth through affairs with younger men, Nicky returns from Paris with a cocaine habit and a deep-seated resentment toward his mother’s neglect. The play’s climax is a devastating confrontation between the two, exposing the hollow, vortex-like nature of their hedonistic lives. It was a groundbreaking work that challenged the censorship of the time and transformed Coward from a writer of light comedies into a serious, provocative dramatist.
A sensational, scandalous success that made Coward an overnight star and sparked intense public debate about modern morality.
William Shakespeare
The Winter's Tale
1611
Globe Theatre, London
King Leontes is consumed by irrational jealousy and accuses his pregnant wife of infidelity, leading to her apparent death and the loss of his daughter. Sixteen years later the family is miraculously reunited through magic and forgiveness. It is a late romance famous for the stage direction Exit, pursued by a bear.
A sophisticated drama that shifts from intense psychological tragedy to lighthearted pastoral comedy.
